Resonance: Fifteen Years · Sealtan Project | Inauguration at Four Seasons Beijing

Sealtan Project · Four Seasons Beijing · 2025.08.16

Sealtan Project · Inauguration Ceremony at Four Seasons Beijing

1. The Beginning: Judgment Enters the Public Realm

On August 16, 2025, the Four Seasons in Beijing became the first public Sealtan node. Writing, action, artists, and witnesses together constituted a site where judgment could take place. Sealing a jar is not simply a gathering; it is a way of sending a judgment of this time into the future, so that years or decades from now it can be reopened, re-examined, and allowed to grow further.

Four Seasons Beijing Hall · Sealtan Ceremony Space

2. Why Begin at the Four Seasons

My connection with the Four Seasons Beijing reaches back to the early phases of the Resonance Project. Working on the hotel’s art direction and spatial thinking, this place gradually entered my curatorial language and became one of the sites where several early judgments were first articulated.

In this sense, the Four Seasons is no longer just a physical venue. It functions as a linguistic container, a place where past and future, the personal and the public, writing and action are folded back onto one another.

3. The Sealtan Gesture: Turning Judgment into a Form Carried by Time

The sealing gesture sits at the core of the Sealtan methodology. Each participant inscribed their judgment onto the jar, turning an abstract thought into a form that time itself can carry forward. Through this gesture, judgment shifts from language into a tangible structure that can later be reopened, re-read, and brought back into conversation.

Sealtan Gesture and Witnesses at Four Seasons Beijing

4. Dialogue: The Expansion of Judgment

The conversations that followed the sealing gesture opened judgment into a generative field. Discussions around the “Three Laws of Sealtan Writing,” the “Seven Criteria for Artist Case Studies,” and the idea of a “Growing Art History” did not merely comment on the action; they unfolded the structure residing within it.

In this temporary public space, each voice tested the edges of judgment. Dialogue kept judgment open, allowing it to remain in motion and to develop new structural possibilities, so that the Sealtan act could serve not as a closed conclusion, but as a point of departure.

5. Sealtan Inscription

Twenty-five years along the path of art, with earlier traces reaching back to the dream of Yuzi Paradise. We once stood together, speaking of art amid mountains, rivers, dawns, and dusks, where resonance slowly brewed. Now gathered again in Beijing, on this auspicious day, we sound the first note of the Sealtan Project. To seal is to entrust history and heart; to unseal is to release voice and shadow. May those who open this jar in the future see our traces and hear our voice today.

6. Witnesses & Further Reading

Partial list of witnesses (alphabetical order):

Sui Jianguo, Huo Boyang, Zhang Yongjian, Zhang Wei, Tan Xun, Qin Chong, Wang Xinggang, Zhang Jianhua, Tang Ran, Wang Jianxing, Su Ling, Zhao Qiong, He Minting, Robert Mason, among others.

Further Reading:

Sealtan Node Archive

Node ID: FSJ-20250816

Writing ID (Tan): Tan 13

Jar Code: Jar FSJ001