TIME COMMONS
时间公域
Copy Complete: Who Am I Now?
West Bank NotesBy Michael SuhAI · Authorship · Multiple Identities Style, Identity, and Authorship in the Age of AI…
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After Yangdeng: Reflections on Life, Art and Place-Based Practice
West Coast NotesBy Michael SuhArt · Place · Rural Practice When life in its entirety becomes art, who defines…
A Month Well Lived
In 2020, we began restoring a century-old building in Ottawa, Canada. What we thought would take two or three…
Maude Arès
IN BETA 001 The Materials Have Their Own Time A curatorial note by Michael Suh Time Commons · Ottawa…
Sealtan Project | Returning to Form without Form: The Ongoing Judgment Sites (2012 – 2015)
vibrARTion · ACTION SERIES Form Without Form A cross-media, site-based linguistic series that grows through action Emerging from vibrARTion’s…
Dialogue｜Writing as Curating: The Origin of Form without Form
Prologue: Why Return to 2012? Form Without Form, shown at NordArt in 2012, has remained an “unfinished state” throughout…
Sealtan Project｜Launch Ceremony at Four Seasons Beijing
Sealing a Jar for Our Time — Dedicated to the Future On August 16, the Sealtan Project was officially…
ARC | Archive · Residence · Curating — A Living Art History
Sealtan Project – A Growing Art History
Forms of the Formless｜Action 1｜NordArt（Büdelsdorf, 2012）
Exhibition Overview In 2012, “Forms of the Formless” opened as Action 2 of the vibrARTion Project at NordArt. The…